[-empyre-] Farewell to Kate, Patrick, Raul and Eduardo for "Border Crossings"



dear list,

This month we were engaged with several questions:

Do conceptual art and curatorial practice merge in post digital cultural production? How are new media art, criticism and curatorial practice a 'transgressive' ecology"?


Thanks to all of you who have participated, silently or in writing, in this very challenging topic. I am personally grateful for the opportunity to listen to so many voices as we try to deal with this compelling and complex problematic of border space in cultural production and art practice. Thank you to writers Alan, Aliette, Andres, Brad, Cecil, Christine, Danny, Renee, Heidi, Henry, Jeremy, Jim, Jeff, Jess, Jhave, Joeser, Jordan, Ken, Mathieu, Marc, Renee, Ryan, Sally Jane, Saul, and Simon. And for your attentive responses and searching posts, -empyre- thanks especially our guests for this month:


Glorious Ninth / Kate Southworth and Patrick Simons (UK) <http://www.gloriousninth.com>

katesouthworth@gloriousninth.com
patricksimons@gloriousninth.com

---------------------------------------------------------------> Glorious Ninth have exhibited Internet art projects at galleries and museums including Newlyn Gallery, Cornwall, Evergreen Cultural Centre, British Columbia, Canada and the Irish Film Centre, Dublin. They are featured in several net art databases including Martin Wattenberg's Net Art Idea Line on the Whitney Museum's Artport site, Rhizome Artbase, and Soundtoys. Glorious Ninth appears in Net:Reality, A UK national touring exhibition of New Media artworks which simultaneously exist within networked and physical space, and Artytechs Parlour, Port Eliot Literary Festival, St. Germans, Cornwall. Kate Southworth is leader of the Interactive Art & Design Research Cluster, and Course Leader of MA Interactive Art & Design, at University College Falmouth, Cornwall. Patrick Simons is a composer and sound artist.


Raúl Moarquech Ferrera-Balanquet (Cuba/USA/México), <http://www.cartodigital.org/krosrods>
rfbalanquet@cartodigital.org


Ferrera-Balanquet has exhibited his work at major galleries, art centers and museum around the world, including the Whitney Museum of American Art, The Museum of Image and Sound in Sao Paulo, Brazil, Randolph Street Gallery-Chicago, Brisbane Powerhouse Art center, Australia, Video IN-Vancouver, Canada, Museo de Arte Actual, Bogotá, Colombia, Galeria Fort-Barcelona, Spain, Museum of Contemporary Art in Chicago, Centro de Cultura Contemporanea, Barcelona, Spain and Museum of Contemporary Art (MACAY), Merida, Mexico. Ferrera-Balanquet is the executive curator of Arte Nuevo InteractivA. Arte Nuevo InteractivA’05” is a conceptual art piece employing a body of contemporary new media and new art works, workshops, conferences, performances, presentation, screening and media labt to create a cross cultural dialogue and a knowledge production/audience interaction highlighting the issues, ideas and struggles faced by artists in the Latin [Luso] American, the Caribbean and the world at large in the post global/post colonial information age.


Eduardo Navas (El Salvador/USA), <http://www.netartreview.net>
eduardo@navasse.net
Eduardo Navas es un artista inter-disciplinario; su trabajo ha sido presentado en MACAY, Merida, Yucatan, MX; Centro de Diseño, Cine y Televisión, Ciudad de México, MX; Artport del Museo Whitney, NY, EE UU; y Turbulence.org, NY, EE UU, entre otros espacios. Ha discutido sus ideas y presentado su trabajo durante encuentros y conferencias en el Museo Rufino
Tamayo, Cuidad de México; Fundación Telefónica, Buenos Aires; Museo de Arte Moderno, Buenos Aires, entre otros lugares. Navas es fundador y editor contribuyente de Net Art Review, y es miembro co-fundador de acute.cc, unentrelace internacional de artistas y academicos quienes organizan eventos y publicaciones periodicamente.




Special thanks to the collaborative artists and scholars from among the InteractivA 05 group who were able to participate in this month's conversation.


Andres Burbano (Colombia),
burbano@alleati.com
http://atari.uniandes.edu.co/burbano
Trabaja escribiendo con video, con texto y a veces con algo de código; en particular ha desarrollado proyectos experimentales en la web desde 1996. Interesado en la relación ciencia, cultura y sociedad. Es profesor de la Universidad de los Andes en Bogotá, Colombia. Actualmente desarrolla una residencia en el Basic Research Institut del ZKM [Zentrum fur Kunst und Medientechnologie de Karlsruhe] Alemania.


Heidi Figueroa Sarriera (Puerto Rico),
hfiguero@coqui.net
<http://teknokultura.rrp.upr.edu>
Social Psycologist and professor at the Universidad de Puerto Rico Recinto de Río Piedras. Her area of investigation centers around the social cultural representation in the design of Information Technology, with emphasis on the area of telecommunication and the construction of subjectivity. She co-edited with Chris Hables Gray The Cyborg Handbook, NY-London: Routledge(1995); (Más allá de la bella (in)diferencia: revisión postfeminista y otras escrituras posibles, San Juan, PR, Publicaciones Puertorriqueñas1994). Dr. Figueroa-Sarriera has published in a variety of journals, magazines and books and is the editor of the online magazine TeknoKultura, (http://teknokultura.rrp.upr.edu), as well as the coordinetor of the interdisciplinary project CMCEP (Comunicación Mediada por Computadora en el Estudio de la Psicología, http://www.rrp.upr.edu/cmcep/). She is member of the editorial board of the International Journal of Critical Psychology, published by Lawrence & Wishart, Humanidades, published by the Universidad Tecnológica de Pereira (UTP), Colombia (http://utp.edu.co/~chumanas/) and Vectors: Journal of Culture and Technology in a Dynamic Vernacular (http://www.iml.annenberg.edu/vectors/public/index.html) published by the Institute for Multimedia Literacy, University of Southern California (USC).



Joeser Álvarez (Brasil)
magogh@yahoo.com.br
Sculptor, painter, poet, audiovisual and new media artist. Lives and works in the Amazonia, Brazil since1982. His work has been shown at 2º Festival Cineamazônia, Porto Velho, Brazil (2004); Festival Cinesquemanovo, Porto Alegre, Brazil (2004); 6º Salón de Arte Digital, Havana, Cuba (2004); Cyberart Bilbao, Spain (2004); 6ª Generative Art, Milan, Italia (2003); Festival de Arte Digital Rosario, Argentina (2003); Javamuseum, Cologne, Germany (2003); Wartime Project, London, England, (2003); -10º Canarias Mediafest, Gran Canaria, Spain (2002); Edupolis Conferenz/v Globaliserung, Berlin, Germany (2002); 1º Premio El mundo Es/, Arco Madrid de net art, Madrid, Spain (2001); 5º Focom - Campus Computer Universidad de Moscow, Russia (2001); -2ª Mostra Internacional Interpoesia, São Paulo, Brazil (2001).





--warm regards to all,

-cm

<http://christinamcphee.net>
<http://carrizoparkfielddiaries.net>





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